论中国书法和国画的“同理”表现关系  

On the Relationship between Chinese Calligraphy and Traditional Chinese Painting

作　　者：谷翠峰[1] 杜啟涛 

机构地区：[1]大连大学美术学院

出　　处：《延边大学学报（社会科学版）》2018年第3期56-61,共6页Journal of Yanbian University：Social Science Edition

摘　　要：中国书法和国画是中华文化重要的组成部分,是书画家对自然现象和社会现象的辩证关系进行艺术表达的一种方式,书画家通过笔墨形象创作出极具意境与神韵的作品,传达出中华文明的精神思想。对中国书法和国画在用笔、结构和整篇章法上的"同理"关系进行理论阐述,可以揭示出中国书法和国画"生于用笔,长于结构,成于章法,美于气韵"的"同理"表现关系,从而对中国书画领域的理论与实践将会有积极的引导作用,对进一步加深理解中国文化的精髓也有一定的裨益。在大力弘扬中国传统文化的今天,深入探讨和研究中国传统书画艺术,必将进一步增强中国人的民族自信心和自豪感。Chinese calligraphy and traditional Chinese painting are an important part of Chinese culture and a way of artistic expression of the dialectical relationship between natural and social phenomena by calligraphers and painters.The calligraphers and painters create works of artistic conception and charm through the image of pen and ink,which conveys the spiritual thought of Chinese civilization.A theoretical explanation of the "empathy"relationship between Chinese calligraphy and traditional Chinese painting in the use of pen,structure and the whole chapter can reveal the"syntactic"performance relationship of Chinese calligraphy and painting "born with a pen,good at structure,formed in the method of composition,and beautiful in charm."Therefore,it will play apositive role in guiding the theory and practice in the field of Chinese calligraphy and painting,and will also be beneficial to further understanding the essence of Chinese culture.When traditional Chinese culture is being vigorously promoted,a thorough study of the art of Chinese traditional calligraphy and painting will certainly further enhance the national self-confidence and pride of the Chinese people.

关 键 词：中国书法和国画 “同理”关系 用笔 结构 章法 

分 类 号：J212[艺术—美术]