洛地先生的“戏”“文”“乐”研究述略  

Summary about Drama,Poetry and Music of Mr. Luo Di's Theory

作　　者：王骏星[1] 

机构地区：[1]上海音乐学院

出　　处：《浙江艺术职业学院学报》2018年第1期72-79,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：本文通过"戏""文""乐"三个部分,简述了洛地先生的主要研究成果。第一部分,集中梳理了洛地先生的戏剧理论,其中包括戏剧结构问题,以及中国戏剧的南北划分和演唱问题。第二部分,立足于洛地先生的"文体"概念,通过诗词的格律,反驳了词乐有"确定旋律"一说。第三部分,主要在阐述中国音乐的"板""腔""调"等相关问题的基础上,论述了洛地先生关于"文"与"乐"的联系,以及"韵"和"调"的问题。This paper mainly discusses research work conducted by Luo Di. It includes three parts, namely drama,poetry and music. The first part describes drama theory, illustrates the drama structure, the argument of geographicaldivision of China, and the singing technicals. The second part, poetry, debates that the poetic melody in Song Poemshad fixed tunes. In the past, people thought that Song Poems had a fixed tune. But according to Mr. Luo, there is nofixed melody for the lyric singing. In the last part, music, the research illustrates the music theory depending on traditional Chinese music view, analyzing the relationship between poetry and music. The most important thing is thatMr. Luo explains the function of rhyme in the verse which is probably equal with the tonic in the music.

关 键 词：洛地先生 曲唱 律词 宫调 

分 类 号：J803[艺术—戏剧戏曲]