试论徐晓钟“诗化现实主义”戏剧美学思想  

On Xu Xiaozhong's Theatrical Aesthetics of “Poetic Realism”

作　　者：夏波[1] 

机构地区：[1]中央戏剧学院

出　　处：《戏剧（中央戏剧学院学报）》2018年第2期62-76,共15页Drama:The Journal of the Central Academy of Drama

摘　　要："诗化现实主义"是一种秉承现实主义原则精神,具有创作者鲜明"诗情"、"诗化"特点的"现实主义"。徐晓钟先生以其"《导演构思》诗学"理论与《桑树坪纪事》等舞台艺术作品,独特、生动地展现了"诗化现实主义"戏剧美学思想。其具体表现为:鲜明强烈的主体表现性、对现实的深刻批判性,以及追求"深刻的体验与鲜明的表现"相统一的戏剧"诗化哲思"舞台呈现。＂Poetic realism＂ is a kind of realism featuring distinct ＂poetic sentiment＂ and ＂poeticization＂ in accordance with the basic principles of realism. Mr. Xu Xiaozhong＇s directing works, The Stories of Sangshu Village and his theatrical aesthetics in his Director＇s Design, have demonstrated in a vivid and unique way the aesthetic theories of theater： ＂poetic realism＂, which lies in the distinctive and powerful expression of subject, the profound critical perspectives on reality, and the stage presentation of ＂poetic thought＂ which pursues the unity of ＂deep experience and lively performance＂.

关 键 词：诗化现实主义 主体表现性 深刻批判性 体验与表现 

分 类 号：J81[艺术—戏剧戏曲]