东渐与嬗变:中国近几年来浸入式戏剧  

Eastward Spread and Evolution: Immersive Theatre in China in Recent Years

作　　者：周泉[1] 

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧（中央戏剧学院学报）》2018年第2期118-127,共10页Drama:The Journal of the Central Academy of Drama

基　　金：中央戏剧学院院内重点项目"浸入式戏剧:文本;空间及参与"(项目编号:YNZD1708)的阶段性成果

摘　　要：2011年,《不再入眠》在纽约演出的成功标志着"浸入式"戏剧成为炙手可热的演剧形式。2016年,该剧被引入上海,热潮依然持续不退。在此剧的影响下,近几年国内纷纷有人效仿。从现象和理论上,本论文溯源"浸入式戏剧"具有的特点;考察近几年国内可以称之为"浸入式戏剧"的演出;并与欧美演出相比,分析这些"浸入式戏剧"所具有的跨界演出、商业化、观众为导向、新媒体技术的诸多特点。In 2011, the sensational Sleep No More in New York marked the immersive theatre as one of the most popular kind of play. In year 2016, it was introduced in Shanghai and instantly became a national hit, which has been imitated frequently in recent years. This paper, through reviewing the characteristics of immersive theatre and the plays categorized as immersive theatre in recent years In China, concludes that these plays feature interdisciplinary performance, commercialization, audience-orientation and new media technology, etc.

关 键 词：浸入式戏剧 环境 特定地点表演 跨界演出 

分 类 号：J82[艺术—戏剧戏曲]