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作 者:张均[1,2] ZHANG Jun(Chinese Department, SUN Yat - Sen University, Guangzhou 510275, China;Xin Hua College, SUN Yat - Sen University, Guangzhou 510520, China)
机构地区:[1]中山大学中文系,广东广州510275 [2]中山大学新华学院,广东广州510520
出 处:《山西大学学报(哲学社会科学版)》2018年第3期26-33,共8页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:国家社科基金项目"中国当代文学本事文献的整理与研究(1949-1976)"(14BZW128);广东省高等学校学科与专业建设项目"中国当代文学本事文献的整理与研究(1949-1976)"(1413008)
摘 要:《铁道游击队》根据鲁南铁道大队的"真人真事"撰写而成,但它记叙的与其说是铁路工人革命,不如说是游民革命。由于作者过深地"陷没"于与铁道队的友谊,游民文化作为革命的现实"如实"地进入文本,并与"现实主义"形成冲突与竞争。在"写法"层面"现实主义"成功约束了游民文化的传奇趣味,在群体认同层面二者形成博弈均势,在斗争经验再现层面游民的"义""利"观念及江湖手段则主导了叙述。这种文本内部的多质性见证了"当代文学"形成初期的竞争状态以及革命中被刻意抹去的"隐藏的历史"。The Railway Guerrilla was written based on the "Real People and Real Affairs"of the Lunan Railway Brigade. But what it describes is not so much the revolution of the railway workers as the revolution of the vagrants.As the author has deeply "fallen into"the friendship with the railway team,the culture of the vagrants as a revolutionary reality is put into the text "as it was"and forms a conflict and competition with "realism". At the level of"writing","realism"succeed in restraining the legendary tastes of the culture of the vagrants. At the same time,they form a game balance at the level of group identity. Because the vagrants' concepts of"righteousness"and"interest"as well as the artifices at the level of struggle experience dominates the narrative. The intrinsic heterogeneity of such texts have witnessed the initial state of competition in "Chinese Contemporary Literature "and the "hidden history"that was deliberately erased during the revolution.
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