祭祀仪式与反殖民主义斗争——海地革命主题绘画  

Sacrificial Rituals and Anticolonialism-Haitian Revolution Paintings

作　　者：徐梦苑 XU Mengyuan(Nanj ing Tech University Puj iang Institute,Nanjing Jiangsu 210000,China)

机构地区：[1]南京工业大学浦江学院,江苏南京210000

出　　处：《吉林省教育学院学报》2018年第4期145-147,共3页Journal of Jilin Provincial Institute of Education

摘　　要：研究一个国家的画家对革命主题的持续关注,在培养民族认同感和树立国家自信方面所做出的推动和贡献具有重要意义。作为世界上首个独立的黑人国家,海地革命与伏都教联系紧密。本文通过分析海地画家对殖民时期、革命时期等不同阶段主题的绘画作品,以及当代海地革命题材绘画作品的新变化,阐释了伏都教作为海地民族认同感的根基之一,贯穿在反殖民主义斗争、海地独立运动及海地当代发展中的关键性作用。It is of great significance to study artists＇ attention to the theme of a nation＇s revolution as well as how these revolution paintings contribute to cultivating national identity and establishing national self-confidence. Haiti is the first and only nation in the world established as a result of a successful slave revolt, and Haitian revolution is closely related to Voodoo. By analyzing various Haitian revolution paintings among colonial period, revolutionary period and the 21 st century, this article explains that Voodoo,one of the foundations of Haiti＇s national identity, runs a key role of not only Haitian anticolonial struggle, but also the development of contemporary Haiti.

关 键 词：海地 革命主题绘画 反殖民主义 

分 类 号：J209[艺术—美术]