新世纪长篇小说“乡绅”书写的文化征候  

The Cultural Characteristics of “Squire” written by the Full-length Novel in the New Century

作　　者：雷鸣[1] 

机构地区：[1]河北大学文学院

出　　处：《江西社会科学》2018年第4期90-97,254-255,共8页Jiangxi Social Sciences

基　　金：国家社科基金项目"新世纪长篇小说与文学市场互动关系研究"(15BZW169)

摘　　要："乡绅"阶层作为乡土中国独特而复杂的存在,由于书写的视域与文化语境的差异,文学中的"乡绅"呈现多元的样态。新世纪长篇小说对"乡绅"的书写,虽然有道德圣者、民族大义的殉道者、乡村重建的"卡里斯玛"、启蒙失效的"乡村他者"等多种类型,但全然为正面形象。这体现了作家为破解新世纪中国乡村困境,而向传统探掘资源与途径的思考;也通过这些正面"乡绅"形象,直观地展示了丰富而复杂的乡村生态。正因如此,"乡绅"书写呈现极度理想化与神圣化的倾向。同时一味呼唤前现代社会"乡绅"文化的回归,在价值取向上,有现代性缺失之憾。The "squire" class is a unique and complicated existence of rural China. Due to the difference between the written visual field and the cultural context, the "squire" in the literature presents a pluralistic pattern. In the full-length novel in the new century there are various types of "squire", such as moral saints, martyrs of national righteousness. rural reconstruction of Chinese "Charisma" and enlightenment losers, all of them are positive completely. This reflects that authors resort to traditional resources and ways in order to solve the rural dilemma and to rebuild the countryside in the new century. Through these positive images of the "squire", the rich and complex cultural ecology are demonstrated directly. Therefore, the "squire" is extremely idealized and sanctified. At the same time, the call for the return of the"squire" culture of the former modern society is regretful for the lack of modernity in the value orientation.

关 键 词：新世纪 长篇小说 乡绅形象 乡村生态 

分 类 号：I206.7[文学—中国文学]