论“漂霞”在中国渐进历程和中华特色  

A Gradual Process and Its Chinese Characteristic of "Piao Xia"

作　　者：长北[1] 

机构地区：[1]东南大学艺术学院

出　　处：《创意与设计》2018年第2期30-34,共5页Creation and Design

摘　　要：作者分析了"漂霞"工艺在中国的渐进历程,探讨了《髹饰录》前后多有"漂霞"工艺记录、《髹饰录》记为纹样未记工艺的原因,认为"漂霞"是极富中华特色的髹饰工艺,其中融入了中华漆工二百余年智慧,呼唤维护中华工艺传统,呼唤本土髹饰工艺语言"漂霞"回归。The author studied a gradual process of ＂Piao Xia＂ craft in china and discussed the reason why there were a lot of craft ＂Piao Xia＂ in Xiushilu and ＂Piao Xia＂ was recorded as the unrecorded craft of dermatoglyphic pattern in Xiushilu. It is believed that ＂Piao Xia＂ is regarded as the craft of lacquer decoration which is full of Chinese characteristic. ＂Piao Xia＂ is the lacquer craft combined with Chinese craftsman＇s wisdom and it is appealed that Chinese craft tradition should be protected. ＂Piao Xia＂, as the indigenous lacquer decoration language, should come into regression.

关 键 词：漂霞 《髹饰录》 中华特色 本土髹饰工艺 

分 类 号：J527[艺术—艺术设计]