联演制与中华剧艺社的生存  

Joint Performance System and the Survival of the Chinese Theatrical Arts Association

作　　者：吴彬 WU Bin(School of Chinese Language and Literature, Anqing Normal University, Anqing 246011, Anhui, China)

机构地区：[1]安庆师范大学文学院,安徽安庆246011

出　　处：《安庆师范大学学报（社会科学版）》2018年第1期16-20,共5页Journal of Anqing Normal University：Social Science Edition

基　　金：教育部人文社会科学研究青年基金项目"中华剧艺社演出史论"(13YJC760090);安徽省高校人文社科重点项目"黄梅戏音乐传承与发展研究"(SK2017A0339)

摘　　要：中华剧艺社的联演制主要有三种形式:一种是联合其它剧团的演职人员,以中中华剧艺社的名义进行演出;另一种是联合其它剧团的演职人员,以这些剧团的名义演出;还有一种是以中华剧艺社和其它剧团共同的名义演出。联合学生演剧,把联演推向了高潮。联演制保证了舞台演出的水平,团结了大批进步的戏剧工作者,推动了战时话剧运动的蓬勃兴起。The joint performance system of the Chinese Theatrical Arts Association falls into three types. Its staff performed with those from other troupes in the name of the Chinese Theatrical Arts Association, the other troupe and both. The association and students made concerted efforts to bring the joint performance to a climax. The joint performance system ensured the performance standard, united a large number of progressives and promoted the vigorous rise of drama movement during the war.

关 键 词：中华剧艺社 联演制 话剧 

分 类 号：J892.4[艺术—戏剧戏曲]