丝绸路上诗歌的反复——岑参诗尚奇引发的犯复与模式化  

Similarity in Poetry about the Silk Road——Similarity and Stereotyped Pattern Due to Cen Shen's Seeking Novelty

作　　者：魏耕原[1,2] WEI Geng-yuan(College of Humanities, Xi’an University, Xi’an 710065,China;Collegee of Liberal Arts,Shaanxi Normal University,Xian 710062, China)

机构地区：[1]西安文理学院文学院,西安710065 [2]陕西师范大学文学院,西安710062

出　　处：《唐都学刊》2018年第3期5-13,共9页Tangdu Journal

基　　金：国家社科基金后期资助项目:"李白;杜甫;王维诗歌新论"(13FZW059)

摘　　要：岑参是盛唐诗人中最后一位名家,以边塞诗享誉诗坛。他和杜甫联袂掀起诗歌革新的创变。但极意追求尚奇的倾向,使他的山水、送别、行役诗以及边塞诗,出现了许多形形色色的模式,从而使他成为盛唐诗模式最多的名家。"天宝之风尚党"在他的诗中得到明显的表现。由于单看模式中任何一首诗,大多出采,雷同的模式化并不容易被人发觉。Cen Shen,the latest famous poets in the prosperous Tang Dynasty,enjoyed great popularity for his poetry about frontier fortress. Cen Shen and Du Fu set off a revolution in poetic innovation. He intended to pursue odd things,which made his poems about landscape,farewell,travels and frontier fortress take on many different patterns,and won him the most famous poet in the Tang Dynasty in terms of poem patterns. The Style School in the Imperial Title of Tianbao was evidently manifested in his poetry. If any of his poems is studied separately,it can be considered as a masterpiece,and the stereotyped pattern is not easily perceived either.

关 键 词：岑参诗 反复模式 雷同 尚奇 尚党 

分 类 号：I222.742[文学—中国文学]