论鲁迅《故事新编》对晚清“翻新小说”的超越  

The Transcendence of Lu Xun 's "Old Tales Retold" for "Reinvented Fiction"

作　　者：邱迁益[1] QIU Qianyi(College of Chinese Language and Literature,Southwest University,Chongqing 400715,Chongqing,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《惠州学院学报》2018年第2期51-58,共8页Journal of Huizhou University

摘　　要：鲁迅在《月界旅行·辩言》中对于高深的科学思想传播与流行的"本国说部"相结合的思考,一定程度上为不久后的"翻新小说"所实现,但遗憾的是,后者的艺术价值和文学史价值长期以来却被包括鲁迅在内的文学研究者所忽视。而鲁迅自己在晚年写成的小说集《故事新编》却也带有旧著翻新的色彩。表面来看,这似乎又是王德威在《晚清小说新论》所提出的"五四压抑晚清现代性"又一显著的典例。文章以翻新/编新的策略入手,比较二者在时间观、创作心态所具有的差异性,在重新发掘被忽视的翻新小说的同时,给予《故事新编》价值所重新建构的尺度视角,并以此对王德威"压抑论"进行对话。In Late Qing Dynasty The thinking of Lu Xun＇s combination of the dissemination of popular scientific ideas and the popular fiction in ＂Travel and Debate in the Moon＂ was to some extent realized by the ＂Reinvented Fiction＂ in the near future,but unfortunately the latter＇s the value of art and the value of literary history had for a long time been ignored by literary researchers,including Lu Xun.But Lu Xun himself in his later years to write a novel series ＂story＂ but also with the old renovation of the color. On the surface,this seems to be yet another striking example of David Der-wei Wangs ＂New Theory of Novels in the Late Qing Dynasty＂ put forward in the ＂May 4 Suppression of Modernity in Late Qing Dynasty.＂ This article starts with the strategy of renovation and compilation,compares the difference between the two in the view of time and creation mentality,and reconstructs the value of ＂new story＂ from the perspective of reconstructing the neglected renovation novel,And in this way a dialogue to David Der-wei Wang＇s ＂repression theory.＂

关 键 词：晚清小说 翻新小说 《故事新编》 鲁迅研究 文学比较 

分 类 号：I210[文学—中国文学]