《唐人街探案2》:融媒体时代的“跨文化链接”  

Detective Chinatown Vol 2: Trans-Cultural Connection in Convergent Media Era

作　　者：陈亦水[1] 

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2018年第2期57-60,共4页Film Art

基　　金：2017年度北京师范大学青年教师基金项目"景深之处:当代中国电影地域空间与文化身份研究"的阶段性成果;项目编号:310422124;项目主持人:北京师范大学艺术与传媒学院讲师陈亦水

摘　　要：作为2018年贺岁档的票房冠军,侦探喜剧类型电影《唐人街探案2》以新媒体电影技术突出了融媒体的时代特征,开拓了当代电影"数据库叙事"的创作空间。但在文化表达层面上,新媒体技术手段并未对现实世界进行有效解码和再度阐释,"走向世界"的中国身份定位语焉不详,一定程度上表露出中国文化主体性的表达失语的症候。During the 2018 Chinese Lunar New Year schedule, the detective comedy genre film Detective Chinatown Vol 2 has won the box office champion and became the top three popular 2D film in Chinese film history. This composition characterized the convergent media era by motion picture technique which enlarged development potential of ＂database narrative＂ in contemporary cinema. While in the aspect of cultural expression, the new media technique failed to decode and reinterpret the real word, that the cultural phenomenon this film exposed revealed the semantic aphasia of Chinese cultural subjectivity expression, which took on the ambiguous cultural location of today＇s Chinese identification.

关 键 词：唐人街探案 数据库叙事 中国电影 贺岁片 类型电影 

分 类 号：J905[艺术—电影电视艺术]