论梁肃的诗序  

Poetic Prefaces by Liang Su

作　　者：吴振华[1] WU Zhenhua(School of Liberal Arts, Chinese Historical Research Center, Anhui Normal University, Wuhu 241000, Anhui, China)

机构地区：[1]安徽师范大学文学院中国诗学研究中心,安徽芜湖241000

出　　处：《铜仁学院学报》2018年第5期15-22,共8页Journal of Tongren University

基　　金：国家社科基金后期资助项目"唐代诗序及其文化意蕴研究"(12FZW009)

摘　　要：梁肃是中唐前期重要的古文家,具有典型的文人特征,他有强烈的儒家思想,又有浓厚的佛道观念。其诗序非常注重文采,继承初唐四杰的技巧,对后来韩、柳有重要影响。一般文学史认为梁肃等复古文学家重道轻文,并将古文运动在中唐前期未能取得成功归咎于梁肃等人片面的文学观念。通过对梁肃诗序的研究,可以看到梁肃并不排斥文采,文采是他踏进文坛的重要基础,而且成为他文章风格的主要因素。Liang Su was an important prose master in the earlier stage of Middle Tang Dynasty. He was a typical scholar devoted to strong Confucianism and Buddhism-Daoism. His poetic prefaces paid much more attention to rich and bright colours, acting as a link between skills of Four Great Poets of Early Tang Dynasty and later Han Yu and Liu Zongyuan. Writers of literature history generally think that Liang Su and other prose masters valued contents at the expense of forms, and ascribe the failure of ancient prose movement in the earlier stage of Middle Tang Dynasty to their partial literary ideas. A study of the poetic prefaces written by Liang Su shows that, instead of rejecting rich and bright colours, Liang Su set foot in the literary world by the way of rich and bright colours which later became a major element in his prose style.

关 键 词：梁肃 诗序 艺术特点 复古精神 古文运动 

分 类 号：I206.2[文学—中国文学]