烟台绒绣与抽纱技艺的对比研究  

A Contrast of Woolen Needlepoint Tapestry and Drawnwork in Yantai

作　　者：陈沙 朱毅[1] Chen Sha1;Zhu Yi2

机构地区：[1]东北林业大学材料科学与工程学院,黑龙江哈尔滨150040

出　　处：《家具与室内装饰》2018年第4期80-81,共2页Furniture & Interior Design

基　　金：黑龙江省科技成果推广项目(TC06B09-01)

摘　　要：鲁绣,博采"苏、粤、蜀、湘"四大名绣之长,又独具一格,列属"八大名绣之一"。烟台绒绣与抽纱技艺同为市级非物质文化遗产,作为鲁绣的不同品种,在其色彩运用、构图形式上存在着不同程度上的差异。本文对绒绣与抽纱技艺进行了对比研究,以期加深大众对烟台绒绣和抽纱技艺的保护与传承的认知。Lu Embroidery absorbs the advantages of the four famous embroideries--Suzhou Embroidery, Guangdong Embroidery, Sichuan Embroidery, and Hunan Embroidery, and it has been listed as one of the eight famous embroidery with its unique features. Both the Woolen Needlepoint Embroidery and the craft of drawnwork of Yantai are the municipal intangible cultural heritage. As the different types of Lu Embroidery, there are some differences in their color using and composition form. By contrasting the Woolen Needlepoint Embroidery and the craft of drawn-work, this paper aims to reinforce the public＇s cognition on the protection and inheritance of them.

关 键 词：烟台绒绣 烟台抽纱 纹样 色彩 形式美法则 

分 类 号：J528[艺术—艺术设计]