论《土生子》的空间政治书写  

On the Spatial Political Writing in Native Son

作　　者：李美芹[1] Li Meiqin(School of Foreign Languages, Zhejiang Gongshang University, Hangzhou, Zhejiang Province, Chin)

机构地区：[1]浙江工商大学外国语学院,浙江杭州310018

出　　处：《外国文学》2018年第3期133-140,共8页Foreign Literature

基　　金：国家社科基金重大项目"<美国非裔文学史>翻译与研究"(13&ZD127);国家社科基金一般项目"二十世纪非裔美国文学中的种族政治研究"(14BWW073)

摘　　要：本文运用列斐伏尔"空间三一论"和福柯"空间权力论",分析赖特的代表作《土生子》中的空间政治书写,认为"黑带区"的存在反映了白人主流社会对"空间表征"的规划和设计;别格母亲、妹妹和情人的空间实践以及别格的部分空间实践具有规训性特点,但别格及其伙伴的空间实践又具有挑战性特点。别格母亲等通过规训性的空间实践反映了阐释性的"表征空间",而别格通过挑战性空间实践意图建立的则是逾越性的"表征空间"。美国黑人无时无刻不在强势集团塑造的"空间表征"中通过空间实践塑造自己变动不居的身份,构建自己的"表征空间",宣示自己的社会在场。This paper analyzes the spatial political writing in Richard Wright＇s Native Son in light of Lefebvre＇s three-part dialectic space theory and Foucault＇s ＂Power Space＂ theory. The ＂black belt＂ area reflects the designing of the white mainstream society＇s ＂representations of space.＂ While the spatial practices of Bigger, his mother, sister and lover are characteristic of the discipline, spacial practices of Bigger and his friends are also challenging. The disciplinary practices reflect the oppressive and repressive ＂representational space,＂ while the ＂representational space＂ set up by Bigger＇s challenging practices is transgressional. African Americans have been constantly shaping their changing identity through their own spatial practices and constructing their own ＂representational space＂ so that they can declare their social presence.

关 键 词：空间政治书写 赖特《土生子》 

分 类 号：I712[文学—其他各国文学]