唐佛曲与古典戏剧之起源  

Tang Buddha's Music and the Origin of Classical Drama

作　　者：杨贺 YANG He(School of Education and Science, Second Normal College, Nanjing 210013, Chin)

机构地区：[1]江苏第二师范学院教育科学学院,南京210013

出　　处：《甘肃理论学刊》2018年第3期117-123,共7页Gansu Theory Research

基　　金：江苏省社会科学基金项目"文学视域下的唐‘佛曲声诗’研究"(16zwc003)的阶段性成果

摘　　要：盛行于唐代的佛曲对当时的音乐、文学和宗教产生了重要的影响,它不仅带来了佛教音乐艺术的变革,而且推动了唐音乐文学的曲艺化、庶民化的发展趋势。戏剧的起源与形成是古代文学研究的重要课题之一,自近代学者王国维提出戏剧起源于宋元以来,学者多承袭此说,然尚有可补之处。本文尝试发挥前人未尽之言,就佛曲与古典戏剧之起源进行深入的分析,着重探讨敦煌卷子中保留的佛曲戏剧。佛曲对戏剧起源起到了润滑和催化的作用,同时也推动了古典叙事文学的曲艺化和庶民化发展趋势。Prevalent in the Tang Dynasty song has an important influence on the music, literature and religion, it has not only brought the art of Buddhist music revolution ,and promoted the development trend of folk art,music and literature of the Tang Dynasty palace of. The origin and formation of drama is one of the important topics in the study of ancient literature. Since modern scholars Wang Guowei put forward that drama originated in song and Yuan Dynasties, scholars have inherited this theory. I try to play any previous words, the article deeply analyzes the origin of Buddhist and classical drama, focuses on the retention of song drama in Dunhuang manuscripts. My lubrication and catalytic role to play to the origin, but also promote the classical literature of the art and development trend of common people.

关 键 词：唐佛曲 戏剧 起源 

分 类 号：I207.37[文学—中国文学]