2017年中国电影美术之全视觉创作  

The Full Visual Creation of Chinese Film Art in 2017

作　　者：霍廷霄 黄非 

机构地区：[1]北京电影学院美术学院 [2]北京电影学院

出　　处：《电影艺术》2018年第3期55-63,共9页Film Art

摘　　要：2017年是中国电影美术创作趋于成熟的一年,视觉艺术创作风格呈现多元化趋势,成绩十分显著。无论哪一类型电影,都有一到两部在美术创作方面表现不错的电影,获得国际、国内,业内业外的好评。当然也有缺乏美感、视觉效果呈现不佳的电影。"大美术-全视觉创作"是2017中国电影美术的总体创作风格。本文根据电影题材类型的不同,叙述这一创作风格在各类型电影中的不同风格、特点。2017 is the year when Chinese film art is becoming more and more mature. The creative style of visual art presents a trend of diversification, with remarkable achievements. No matter what kind of film, there are one or two films which have done well in art creation, and have won praise in and outside the industry from both home and abroad. But there are also movies that lack aesthetic feeling and visual effects. ＂Great art-full visual creation＂ is the overall creative style of Chinese film art in 2017. According to the different types of film, this article describes the different styles and characteristics of this creative style in all kinds of movies.

关 键 词：电影美术 视觉特效 全视觉创作 视觉化 电影美学 

分 类 号：J91[艺术—电影电视艺术]