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作 者:邢蕊杰[1] XING Ruijie(College of Humanities, Shaoxing University, Shaoxing 312000, China)
出 处:《中北大学学报(社会科学版)》2018年第3期58-63,共6页Journal of North University of China:Social Science Edition
基 金:国家社科青年项目:清代两浙文化家族联姻与文学发展关系研究(12CZW043)
摘 要:两浙地区的文学雅集始兴于东晋。入唐后,初盛唐文人群体互动主要集中于帝都或宫廷之中,两浙文学雅集一度较为沉寂。直至唐大历年间浙东越州唱和与浙西湖州唱和的相继出现,文人诗酒互动的雅集传统再次重振。尤其是大历年间浙东文人群体,以社交网络为基础,以大规模的联句创作表达闲适轻松的诗歌创作观念,迥异于初盛唐北方文学雅集的主体构成与创作形式,预示着新的文人雅集形态的定型。The literati gatherings in Zhejiang began in the eastern Jin dynasty.In the early Tang dynasty,the activities of literati mainly occurred in the capital city or the imperial palace,while literati gatherings were not popular in Zhejiang.Until the Dali period of Tang dynasty,singing and cheer appeared in Yuezhou in the eastern Zhejiang and Huzhou in the Western Zhejiang one after another,the tradition of literati gathering with poem and wine revived again.Literati in the eastern Zhejiang in the Dali period expressed their relaxed views of poem-making by using a large number of couplets based on their social network,which is completely different from the main composition and creation forms of the literati gathering in the northern areas of the early Tang dynasty.It indicates that the new style of literati gathering came to a stable form.
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