1949—1966年新中国宣传画创作简述  

1949-1966 China Propaganda Painting Creation

作　　者：李悦[1] 龚小凡[1] LI Yue;GONG Xiao-fan(Beijing Institute of Graphic Communication,Beijing 102600,China)

机构地区：[1]北京印刷学院,北京102600

出　　处：《艺术与设计（理论版）》2018年第6期52-54,共3页Art and Design

摘　　要：文章以新中国宣传画的艺术表现为主要研究对象,梳理宣传画在1949—1966年间的发展概况,分析其题材类型及表现手法。宣传画是以图像化方式、配有宣传标语的一种绘画形式。宣传画对该时期各种社会运动、各项政策及任务的宣传鼓动发挥了重要作用。研究该时期的宣传画有助于认识那个时代,认识艺术与社会之间的映射关系。这一时期宣传画的表现手法及创作经验对当下的艺术创作仍具有参照及借鉴意义。The article takes the artistic expression of the propaganda of China as the main research object, and sorts out the development situation of the propaganda painting from 1949 to 1966, and analyzes its subject type and expression technique. The poster is a form of painting with a propaganda slogan. Publicity and painting has played an important role in promoting various social movements, policies and tasks in this period. The study of the period will help to understand the relationship between art and society. This period propaganda painting technique and creative experience have reference and reference significance to the present art creation.

关 键 词：宣传画 表现形式 题材类型 

分 类 号：J22[艺术—美术]