《闲情偶寄》与《情感化设计》的设计理念比较研究  

Contrastive Study on the Design Concept Between "Xian Qing Ou Ji" and "Emotional Design"

作　　者：陈志玉[1] CHEN Zhi-yu(Putian University, Putian 351100, China)

机构地区：[1]莆田学院,莆田351100

出　　处：《包装工程》2018年第12期266-270,共5页Packaging Engineering

摘　　要：目的以《闲情偶寄》与《情感化设计》为例,对中国传统与西方现代设计理念进行比较研究,揭示中国古代与当今西方设计理念的一些相似之处及差异,为现代设计提供一些思路。方法从两书作者身份、创作背景及目的、设计理念几个方面对《闲情偶寄》与《情感化设计》进行比较分析并得出结论。结论《闲情偶寄》与《情感化设计》两书所涉及的设计理念具有相似性,即设计要讲究外观美感和完善的实用功能,还要突出体现使用者的审美反思感受,但因为中西方传统文化的不同,中西方的审美反思有着本质的差异,在设计过程中,我们要挖掘中国传统文化中所特有的审美特质,并融入到现代设计中,使中国设计具有现代感和鲜明的民族性,以符合现代人们的情感需求。Taking ＂Xian Qing Ou Ji ＂ and ＂Emotional Design＂ as examples, this paper makes a comparative study of Chinese traditional and western modem design ideas, reveals some similarities and differences between Chinese ancient and Western design ideas, and provides some ideas for modem design. From the author＇s identity, the background and purpose of the two books, and the design idea, this paper makes a comparative analysis of the ＂Xian Qing Ou Ji ＂ and ＂Emotional Design＂ and draws a conclusion. There are similarities between the two books of ＂Xian Qing Ou Ji ＂and ＂Emotional Design＂, that is, the design should pay attention to the aesthetic sense of appearance and the practical function of perfection, and also to embody the aesthetic reflection feeling of the user. However, because of the differences between Chinese and western traditional culture, the aesthetic reflection between China and the West has an essential difference. In the process of design, we should excavate the unique aesthetic characteristics of Chinese traditional culture and integrate into the modern design, so that the Chinese design has a modem sense and distinct nationality in order to meet the emo- tional needs of modem people.

关 键 词：《闲情偶寄》 《情感化设计》 设计理念 比较研究 

分 类 号：TB472[一般工业技术—工业设计]