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作 者:李容芳[1,2] Li Rongfang(Oxbridge College, Kunming University of Science and Technolog;Kunming, 650106 College of Sociology, Central China Normal University, Wuhan, Hubei, 43007)
机构地区:[1]昆明理工大学津桥学院,云南昆明650106 [2]华中师范大学社会学院,湖北武汉430070
出 处:《西北民族大学学报(哲学社会科学版)》2018年第3期51-57,共7页Journal of Northwest Minzu University(Philosophy and Social Sciences)
摘 要:社会人类学话语体系之中,仪式民俗对群体而言具有普遍性,绝非偶发或边缘,其在传统文化体系中有着重要作用。传统哭嫁与哭丧仪式具有表演性、文化性、历史文本性,其变迁反映社会结构的变化整合。以往研究对哭嫁与哭丧叙事形态与社会功能研究未能解释看似同源的哭嫁与哭丧仪式民俗为何在同语境下变迁之结果大相径庭。社会学典型研究的文本书写与对象建构将哭嫁与哭丧仪式民俗置于特定情境下进行对比研究可探析村落仪式民俗变迁逻辑。In the discourse of socio-anthropology, ritual folklore is, for the specific group, universal rather than occasional or marginal, and plays an important role in traditional cultural system. Tradi- tional rites of wailing marriage and wailing funeral have the features of performance, culture and his- toric texts, and its evolution has reflected the changes and integration of social structure. In terms of narrative forms and social functions of wailing marriage and wailing funeral, the previous studies failed to explain why the seemingly-alike ritual folklore have evolved quite differently in the same con- text. The typical sociological study of text creation and subject construction will put the ritual folklore of wailing marriage and wailing funeral in a given situation to conduct comparative study so as to ex- plore evolution logic of village ritual folklore.
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