谢肇淛《小草斋诗话》理论批评观念探论  

Literary Criticism Concept of XIE Zhao-zhi's Xia Cao Zhai Shi Hua

作　　者：胡建次 HU Jian-ci(College of Arts, Yunnan Normal University, Kunming, Yunnan, 65050)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《深圳大学学报（人文社会科学版）》2018年第3期145-151,共7页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社会科学基金项目"中国古代文论承传研究"(07CWZ001)

摘　　要：谢肇淛《小草斋诗话》的诗学理论批评观念,主要体现在五个方面:一是对诗歌发生的论说,其张扬与发挥传统风人感荡之论;二是对诗歌典范的择取,其倡导以唐诗为宗;三是对诗作艺术标准的追寻,其高标法度与气格;四是对诗作虚实关系的探讨,其主张相半相参;五是对学诗入门的导引,其强调宗旨当审。谢肇淛的诗学观念,缘于其为诗坛革除弊病、对诗美理想执着追求及为后学指示门径,它对中晚明诗风演进及诗学理论批评建构都有着重要的影响。The poetic theory and criticism concept of XIE Zhao-zhi＇s ＂Xiao Cao Zhai Zhi＂ is mainly manifested in five aspects： As for the occurrence of poetry, Xie further elaborated the traditional view that poetry was a carrier of emotions. As for the choice of poetry model, Xie advocated modeling after Tang poetry. As for the pursuit of artistic standard, Xie attached great importance to creation principles and artistic conception and style. As for the relationship between realistic description and aesthetic imagination, Xie advocated a half-and-half mixture of them. As for beginners guide to write poems, Xie emphasized the purpose of writing should be reviewed. XIE Zhao-zhi＇d poetic theory aimed to find a cure for the maladies afflicting the poetry world, persistently pursue ideal poetic beauty, and offer guidance to later followers of poetry, which had important impact on the evolution of poetic style and the construction of poetic theory and criticism in middle and late Ming Dynasty.

关 键 词：谢肇淛 诗学理论 批评观念 内涵要义 价值影响 

分 类 号：I206.2[文学—中国文学]