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作 者:田丰[1,2] TIAN Feng1,2(1. College of Liberal Arts, Hebei Normal University, Shijiazhuang 050024, China ; 2. Department of Chinese Language and Literature, East China Normal University, Shanghai 200241, Chin)
机构地区:[1]河北师范大学文学院,石家庄050024 [2]华东师范大学中文系,上海200241
出 处:《渭南师范学院学报》2018年第11期41-47,共7页Journal of Weinan Normal University
基 金:河北省社科基金项目:左翼文学的本土化转向及文本形态研究(HB17ZW015)
摘 要:左翼乡土小说与五四乡土小说并没有完全断裂开来,两者之间依然有着紧密的内在联系,既同中有异又异中有同。在五四乡土小说家的示范带动下左翼乡土小说家并未因致力于反映现实和表现时代而全然忽视风情画、风俗画和风景画的呈现。然而,由于所处的政治环境与社会语境都有了极大的改变,因而两者之间也存在着明显的差异。在左翼乡土小说中,乡村已经不再是处于静态中的悲凉的乡土,而是成为动态的革命的热土。总体而言,左翼乡土小说家和五四乡土小说家无论在创作理念还是思想意识等方面都有着明显的差异,具体主要表现在"反乡"与"返乡"、农民的发现和土地的彰显这三个方面。In general there are obvious differences in such aspects as ideology and creation concept,but Left-wing native novel and the May 4 th native novel are not completely broke away. The Left-wing native novelists are not completely ignore the graffiti,genre painting and landscape painting to reflect the reality and for age behavior under the influence of the May 4 th native novelists.However there are obvious differences between thus due to the great changes in the political environment and social context,the country is no longer in the static local but becomes a dynamic revolution land in the Left-wing novels. In general there are obvious differences in such aspects as ideology and creation concept that are mainly manifested in the three aspects such as"anti-rural"and"returning home",the discovery of peasants and the display of land.
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