论《红楼梦》夏至叙事的诗礼文化隐喻功能  

On the Ritual Cultural Metaphor of the Story about Summer Solstice of A Dream of Red Chamber

作　　者：薛海燕[1] XUE Haiyan(School of Literature and Journalism, Ocean University of China, Qindao 266100 ,Chin)

机构地区：[1]中国海洋大学文学与新闻传播学院,山东青岛266100

出　　处：《济宁学院学报》2018年第1期42-45,共4页Journal of Jining University

基　　金：2016年山东省社科规划重点项目"海上丝路视阈的明清文学与文化研究"(16BZWJ06)

摘　　要：有关《红楼梦》夏至前后叙事,前此学者关注的主要是宝玉挨打、湘云论阴阳等单个情节,少有人注意其中整体的诗礼文化隐喻内涵。以《逸周书·时训解》《礼记》等典籍中的夏至物候描述为所指,《红楼梦》夏至叙事构造了宝玉情感生命成长、精神生命成长两个序列动力群,借助龄官之情、袭人之欲做参照,表达了宝玉爱情觉醒、价值观觉醒的重要主题。此段叙事的"取譬连类"手法和用典方式,有着鲜明的诗礼文化隐喻指向,对儒家诗礼之教的价值得失,表达了深刻的思考。Related to the narrative of A Dream of Red Chamber around the Summer Solstice,the scholars＇ concern mainly focus on the individual plots such as baoyu＇s suffering beating,xiangyun＇s opinion on Yin and Yang,etc.. And less attention had been paid to the connotations of the overall poetic cultural metaphor.Through usingallusions on solar terms as well as that of traditonal Confucious,Xueqin Cao expressed profound thinking on Confucious and traditional culture as a whole.

关 键 词：《红楼梦》 夏至叙事 诗礼文化 隐喻功能 

分 类 号：I207.411[文学—中国文学]