街头景观的文化政治札记  

Notes on Cultural Politics of Spectacles in the Street

作　　者：周志强[1] 

机构地区：[1]南开大学文学院

出　　处：《文化研究》2017年第4期119-130,共12页Cultural Studies

基　　金：国家哲学社会科学基金一般项目“批判理论视野下的当代中国文化批评研究”(项目号:13BZW006);教育部人文社会科学重点研究基地重大研究项目“中国当代大众文化形态、成因、演变及评价的诗学研究”(项目号:16JJD750009)的阶段性成果

摘　　要：街头景观既是街头的本身形象,也是街头的湮没方式。本文从街头景观的政治编码角度考察＂街头文化景观＂,分析街头的发现及其象征化的内涵,反思街头上发生的私人生活的自由幻觉与社会文化霸权暗中控制街头的基本状况。街头从形成到繁荣的过程,竟然也是从被发现到＂被去街头化＂,逐渐丧失其场所认同内涵的过程。在今天,＂街头景观＂正在表现出一种＂到处是生活,却没有意义＂的状况。Spectacle in the street is not only an image of the street, but also its hide. This paper aims to explore ＂the cultural spectacle＂ in the street from a perspective of political encoding, and analyze discoveries of the street and its symbolical connotations, and then reflect on the illusive liberation of private life which takes place in the street and the basic conditions of social and cultural hegemony imposed on the street unseen. The process from the formation of the street to its booming is also a process from its discovery to ＂destreet＂, which loses its identification of site. Today, spectacle in the street is displaying a life without meaning.

关 键 词：街头 景观 实在界 电影 

分 类 号：K901.6[历史地理—人文地理学]