“文学与社会”关系的再思考  

Reconsideration of the Relationship Between "Literature and Society"

作　　者：李超[1] Li Chao(Arts School of Shanghai University, Shanghai, 20044)

机构地区：[1]上海大学文学院,上海200444

出　　处：《重庆社会科学》2018年第6期114-120,共7页Chongqing Social Sciences

基　　金：教育部人文社科重点研究基地重大项目"文化诗学视域下的21世纪西方文论思潮研究"(16JJD750010)

摘　　要：在雷蒙·威廉斯文学社会学的方法论中,"感觉结构"是其核心概念。受卢卡奇、戈德曼、葛兰西的影响,在对"感觉结构"的思考中,威廉斯重构了"文学与社会"的关系。他将"文学与社会"的关系分为"分析性"和"实践性"两种关系。在"分析性"关系中,他拒绝形式主义对"文学性"的强调,也拒绝机械唯物主义的"反映论",而是通过引入"感觉结构"来思考文学的主体性,文学形式与社会的关系,进而将文学看作物质性的社会过程;在对"实践性"关系的思考中,他认为含有新的"感觉结构"的无产阶级文学具备一种革命的潜能,能够帮助无产阶级在市民社会夺取文化领导权。In Raymond Williams’ methodology of literary sociology, ＂Structure of Feelings＂ is its core concept. The use of this concept exists in the life of Raymond Williams. Influenced by Lukács,Goldman and Gramsci, in the use of the concept ＂Structure of Feelings＂, Williams reconstructed the relationship between ＂Literature and Society＂. He divided the relationship between ＂literature and society＂ into ＂analytic＂ and ＂practical＂ relations. In the ＂analytical＂ relationship, he rejected formalism’s emphasis on ＂literariness＂ and the ＂reflective＂ theory of mechanical materialism, but considered the subjectivity of literature through the introduction of ＂Feeling Structure＂, the relationship between literary forms and societies were regarded as a material social process; in thinking about the ＂practical＂ relationship, he believed that proletarian literature containing new ＂Structure of Feelings＂ had a kind of revolutionary potential and can help the proletariat gain cultural hegemony in civil society.

关 键 词：感觉结构 实践性 文学文化 文化领导权 

分 类 号：G02[文化科学]