谈岭南灰塑的美学内涵及其现实意义  

The Aesthetic Connotation and Practical Significance of Grey Model in Southern China

作　　者：李倜[1] LI Ti(South China Normal University, Guangzhou 510631,China)

机构地区：[1]华南师范大学,广州530631

出　　处：《艺术与设计（理论版）》2018年第7期129-131,共3页Art and Design

基　　金：2017广州市社科规划智库课题(2017GZZK29)

摘　　要：在悠久的中华文明中,我们的先祖凭借智慧与双手,创造了大量优秀实用、美观精致的传统工艺,岭南灰塑就是其中之一。灰塑作为传统建筑的装饰工艺,有自己独特的审美意趣,文章从技术、形态、功能、文化、生态五个层面分析挖掘了岭南灰塑的审美内涵,这种内涵同时具有传统美学的深厚文化积淀和现代设计对于功能形式统一的审美追求。通过探究岭南灰塑工艺的美学内涵,吸收其中可贵的、具有生命力和包容性的精髓,不仅可以启迪现代设计,促进中国设计的良性发展,更是人们建立家国情怀、增强民族自尊心和自信心的重要途径。In the long Chinese civilization, our ancestors created a large number of excellent and practical, beautiful and exquisite traditional craft with wisdom and hands, and the grey model is one of them. Grey model as traditional architectural decoration process, has its own unique aesthetic interest, the author from the technology, form, function, cultural, ecological analysis of mining the five levels of grey model, found its unique aesthetic connotation, the connotation and has profound culture of traditional aesthetics and modern design to form a unified aesthetic pursuit. Through studying the aesthetic connotation of grey model process, absorb valuable, have the essence of life and inclusive, not only can enlighten modern design, promote the benign development of Chinese design, but also people to set up the feelings, the most important ways of enhancing national pride and self-confidence.

关 键 词：岭南灰塑 工艺美术 美学 

分 类 号：J59[艺术—艺术设计]