极端化的自我反思——论小说《寒冻》中的批判内涵  

The Extreme Introspection——On the Critical Connotation in the Novel Frost

作　　者：陈刚[1] 李凤琴[1] CHEN Gang;LI Feng-qin(School of Foreign Languages, Inner Mongolia University of Technology, Hohhot Inner Mongolia 010051, China)

机构地区：[1]内蒙古工业大学外国语学院,内蒙古呼和浩特010051

出　　处：《菏泽学院学报》2018年第3期37-40,共4页Journal of Heze University

基　　金：内蒙古工业大学校级科研项目(SK201508)

摘　　要：奥地利作家托马斯·伯恩哈德在小说《寒冻》中塑造了一个极具批判意识的画家形象,并通过画家的独白对自我存在的危机和人类发展中面临的困境进行了反思。通过分析发现,作家批判意识的根源与其青少年时期的经历存在非常紧密的关系,小说的极端艺术风格是对自我困境和人类困境反思的外在表现形式。The Austrian writer Thomas Bernhard created a critically conscious painter image in his novel Frost and reflected the crisis of self-existence and the difficulties faced by human development through the painter＇s monologues. Through analysis,it can be found that the author＇s critical consciousness roots were closely related to his adolescent experience. The extreme artistic style of the novel was an external manifestation of introspection on selfplight and human dilemma.

关 键 词：伯恩哈德 困境 反思 存在危机 极端 

分 类 号：I521.074[文学—其他各国文学]