民国前期书籍封面设计的断裂性变革研究  

Research on the Revolutionary Change in Book Cover Design in the Early Republic of China Era

作　　者：谢欣[1] XIE Xin(School of Humanities and Social Sciences, Harbin Institute of Technology, Shenzhen, Shenzhen 518055, China)

机构地区：[1]哈尔滨工业大学深圳研究生院人文与社会科学学院,广东深圳518055

出　　处：《编辑之友》2018年第7期91-98,共8页Editorial Friend

基　　金：教育部人文社会科学艺术学青年基金项目"中国现代设计文化体系构建视域中的民国前期(1915-1937)设计发展研究"(17YJC760104);国家社科基金艺术学一般项目"晚清民国设计思想研究(1840-1949)"(15BG096)

摘　　要：民国前期,伴随着书籍出版业的繁荣,书籍封面设计也开始摆脱以往的各种限制和束缚,不仅在形式上,且在观念上有别于传统,并因此呈现出断裂性的特征。从文化层面来看,书籍封面设计的断裂性变革同时也体现出这一时期的国人逐渐形成关于书籍出版新的问题意识,标志着书籍出版与当时其他充满变革的领域一样,开始步入历史的新纪元。In the early Republic of China era,along with the prosperity of the book publishing industry,book cover design began to get rid of all kinds of traditional restrictions and the shackles not only in form,but also in notion.Therefore,it had the characteristics of revolutionary change.From the cultural perspective,the revolution of book cover design reflected the new self-consciousness of book publishing of Chinese people in this period,which marked book publishing,like other areas,began to enter a new era of history.

关 键 词：民国前期 书籍封面 设计 

分 类 号：G232[文化科学]