曹禺《雷雨》与易卜生《野鸭》的深层关联  

The Connection between Thunderstorm and The Wild Duck

作　　者：汪余礼 

机构地区：[1]武汉大学艺术学院

出　　处：《戏剧（中央戏剧学院学报）》2018年第3期58-68,共11页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金青年项目"易卜生戏剧诗学研究"(项目批号为13CWW023)阶段性成果

摘　　要：《雷雨》为什么成为20世纪中国最经典的一部名剧?其中一个很重要的原因在于曹禺此剧对易卜生戏剧的借鉴与创化。以往学界对二者关系的研讨,多集中于分析《雷雨》对易卜生中期戏剧《群鬼》的借鉴与创新;但事实上,易卜生晚期戏剧《野鸭》对曹禺创作《雷雨》有着更为重要的影响。细读可以发现,这两部名剧在隐性艺术家的设置、太极图式的运用、宇宙秩序的探索、宗教意识的隐蕴等方面存在深层关联。深入探讨曹禺《雷雨》与易卜生《野鸭》的深层关联,对我们灵活化用外国戏剧具有重要的启示意义。Cao Yu＇s Thunderstorm has become one of the most classic Chinese plays in the 20th Century mainly because of Cao Yu＇s excellent reference to and innovation of Ibsen＇s plays. In the past, researchers tended to focus on the connection between Thunderstorm and Ibsen＇s Ghosts, ignoring the greater impact of Ibsen＇s later play the WildDuck on Thunderstorm. When comparing them carefully, apparent similarities can be discovered in implicit artist, the application of Tai Ji eidos, the exploration of the order of cosmos, the implication of religious consciousness, etc. This paper, which examines the connection between Thunderstorm and The Wild Duck, casts a light on future flexibly innovation of foreign plays.

关 键 词：易卜生 《雷雨》与《野鸭》 隐性艺术家 太极图式 宇宙秩序 宗教意蕴 

分 类 号：J83[艺术—戏剧戏曲]