理想人性与诗意生存的探寻——徐訏剧作思想新探  

Seeking for Ideal Human Nature and Poetic Living: A Study on Xu Xu's plays

作　　者：张慎[1] ZHANG Shen

机构地区：[1]大同大学文学院,山西大同037009

出　　处：《文化艺术研究》2018年第2期49-56,共8页Studies in Culture and Art

基　　金：大同大学博士科研启动费资助项目"文学批评的转型及其问题研究"(项目编号:2016-B-26);教育部人文社会科学规划项目"诗与学术之间:中国现代诗人与古典学术研究"(项目编号:10YJA751040)的阶段性成果

摘　　要：徐訏的剧作大都借男女婚恋题材表达对人性、文明的思考:他审视热恋男女微妙的精神世界,思考权利与义务、理想与责任等人生问题;他肯定现代文明,也反思现代"唯理"社会对人情人性的扭曲和异化,表现出对"现代"与"传统"、东西方文化的双重审视态度。他剧作中的"寂寞与哀愁",既有人性的隐忧,也有文明的忧惧。受左翼思潮影响,他将金钱观念与现代资本主义社会联系起来批判,反对以青春美貌来衡量女性的价值,赞美底层劳动妇女坚强的个性与独立的精神。尽管徐訏的理想受到了世俗观念、现代文明、民族战争的重重威胁,但他终生都在戏剧创作中探寻理想的人性与诗意的生存。Marriage and love is a recurrent theme in Xu Xu＇s plays. He examined the inner worlds of men and women in love, discussed the issues of life, reflected on modernity and alienation, and reviewed the East and the West. The loneliness and sorrow expressed in his plays were his fear of both human nature and modern civilization. He criticized capitalism, objected to judging a woman by her age or appearance, and appraised the strength and independence of working women. Threatened by worldliness, modernity and wars, Xu dedicated his life to seeking for ideal human nature and poetic living.

关 键 词：徐訏 理想人性 现代文明 左翼思潮 诗意生存 

分 类 号：J805[艺术—戏剧戏曲]