赋、颂二体混称、连称的表现和原因  

The Phenomenon and Causes of the Mixture and Conjunction of Fu and Song

作　　者：杨化坤 YANG Hua-kun(College of Liberal Arts,Anhui University Of Finance ＆ Economics,Bengbu 233030,Chin)

机构地区：[1]安徽财经大学文学院,安徽蚌埠233030

出　　处：《北京科技大学学报（社会科学版）》2018年第4期82-87,共6页Journal of University of Science and Technology Beijing(Social Sciences Edition)

摘　　要：赋、颂是产生于汉代的两种文体,二者在很多方面有着相似之处。由于颂在古代可以作为诵的假借字,而赋也被认作是"不歌而诵",因此人们常常以颂称赋。东汉之后,赋的颂扬功能加强,更造成了赋、颂的混称。同时它们文体的同源性及地位的相似性,也是造成二者并称的一个重要原因。而且"赋颂"作为一个固定词语出现时,除了偏指赋体外,还有两种含义,即泛指有韵之文,及特指赋、颂二体。As two literary styles originated from Han Dynasty,Fu and Song have several aspects in common. In ancient times,Song could be used as the phonetic loan character of another Song which means chanting,while Fu is also considered＂odes by chanting without singing＂,hence Fu is often used to refer to Song. Besides,another cause of the alternative use of Song and Fu is the strengthened function of Fu to eulogize,after the Eastern Han Dynasty. Apart from the particular reference to Fu,＂Fusong＂as a regular word has two implications： general reference to the verse,and the specific reference to Fu and Song. What leads to the conjunction of Fu and Song as＂Fu-song＂is that both of them have the function of eulogizing,as well as their homogeneous literary forms and similar status in classical Chinese literature.

关 键 词：“赋颂” 混称 连称 

分 类 号：I206.2[文学—中国文学]