土家族传统戏曲的声腔语境及保护发展——以鹤峰“非遗”柳子戏为例  

Tune the Context and Protection and Development of Tujia Traditional Opera:In Hefeng "Intangible Cultural Heritage" Liuzi Drama as An Example

作　　者：刘红[1] 殷瑰姣 Hong;YIN-Gui-jiao(Hubei Institute for Nationalities School of Music and Dance,Enshi,Hubei 445000,China;Hubei Academy of science and technology,Xianning,Hubei 437100,China)

机构地区：[1]湖北民族学院音乐舞蹈学院,湖北恩施445000 [2]湖北科技学院音乐学院,湖北咸宁437100

出　　处：《贵州民族研究》2018年第5期70-73,共4页Guizhou Ethnic Studies

基　　金：国家民委教研课题"武陵山区音乐类非物质文化遗产传承课程资源开发研究"(项目编号:17077)的阶段性成果之一

摘　　要：鹤峰柳子戏有着独特的地域特征和风格,具有巴渝文化神韵,土家人文风采,属土家族地方剧种。它不仅深为鹤峰人民所喜爱,也备受武陵山区人民的推崇和青睐。其声腔旋律优美,音韵委婉,韵味别常,是由四川梁山调和湖北越调、皮黄腔流传演变而成,因此,柳子戏具有巴蜀文化和荆楚文化并存的现象,同时又存在土汉文化交融的特点。Hefeng has a regional characteristic and Liuzi drama with unique style, has the charm of Bayu culture, Tujia cultural style, is a Tujia local opera, it not only deeply loved by the people of Hefeng, has been highly praised and favored by the people in Wuling mountain. The vocal melody, rhythm euphemism, often don＇t charm is from Sichuan Liangshan,Hubei Yuediao, pihuang cavity spread and evolved, so has the Liuzi drama Bashu culture and Chu culture coexist, and features of cultural exchange between Chinese and the earth.

关 键 词：土家族 传统戏曲 柳子戏 声腔语境 

分 类 号：G122[文化科学]