卡夫卡与中国先锋小说现代意识的呈现  

Kafka and the Representation of Modern Consciousness in Chinese Vanguard Fictions

作　　者：罗璠[1] 雷浩泽 LUO Fan;LEI Hao-ze(College of Chinese Language and Literature,Hainan Normal University,Haikou 571158,China)

机构地区：[1]海南师范大学文学院,海南海口571158

出　　处：《海南大学学报（人文社会科学版）》2018年第4期135-141,共7页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家社科基金项目(11BZW024)

摘　　要：在对卡夫卡文学的接受中,中国先锋小说不仅扩大了生活的表现范畴,也拓展了艺术的表现空间,使文学创作具有了更多的表现方式。其中,最具价值的内核乃在对卡夫卡小说的继承与发展中,中国先锋小说具有了自身的现代意识。这种现代意识主要表现在对艺术形式感的关注、写作意识的自觉呈现、荒诞意识的弥漫等三个方面。In the reception of Kafka＇s literature,Chinese vanguard fictions not only enlarge the categories in which life represents but also extend the new space for art representation,which endows the literary creation with more forms of manifestation. The most valuable essence is that Chinese vanguard fictions form their own awareness of modernity in the inheritance and development of Kafka＇s style of fictions,which is demonstrated through the attention to art form,the conscious revelation of writing awareness,and the suffusion of absurdity awareness.

关 键 词：卡夫卡 先锋小说 现代意识 

分 类 号：I206.7[文学—中国文学]