“爱情”的位置——严歌苓《芳华》的情感论  

The Position of Love: On the Sentiments in Youth by Yan Geling

作　　者：陆丽霞[1] Lu Lixia

机构地区：[1]武汉大学文学院

出　　处：《华文文学》2018年第3期92-97,共6页Literatures in Chinese

摘　　要："爱情"是文学的重要主题之一,不同时期的爱情观与爱情书写往往反映出时代特征。在启蒙与革命思想的影响下,中国现代文学及建国初的主流文学中,爱情书写往往处于边缘地位;新时期以来,爱情观发生了重大改变,爱情书写也呈现出多元化、个人化特征。近年来很多文学作品在思考爱情本身及其所遇困境。严歌苓擅长写爱情故事,她的新作《芳华》聚焦中国历史与现实,爱情依然是其主线。小说跨越40多年,呈现了3种爱情模式,展现了不同时代的精神困境:第一种展示欲望与"崇高"的道德要求的冲突,第二种写出商品化与个人情感的矛盾,第三种展现爱情与心灵创伤的关系。Love is an important theme of literature. Views of love in different periods and the writing about love often reflect the features of an age. In modern Chinese literature and the mainstream literature as written in the first years of new China,under the influence of enlightenment and revolutionary thinking, writing about love is often placed in a marginal position.Since the New Period, however, views of love have considerably changed as writing about love has also become pluralistic and individualistic. In recent years, much thinking has been done in literary works about love itself and the difficult situations it finds itself in. Youth, by Yan Geling, good at telling love stories, has love as its main line of narrative, focusing on the Chinese history and realities, with a story that spans four decades in three modes of love, representing a spiritual predicament in various times： the first being the conflicts between an individual＇s desire and the‘sublime＇moral requirements, the second, contradictions between the commodification of individuals and personal emotions, and the third, the relationship between an individual＇s love and his or her trauma.

关 键 词：爱情 《芳华》 矛盾 

分 类 号：I106[文学—世界文学]