论宋代鼓子词的审美品格与文学渊源  

On the Aesthetic Qualities and Literary Origins of Guzi Ci in the Song Dynasty

作　　者：陶然[1] 姚逸超 Tao Ran;Yao Yichao(Department of Chinese Language and Literature,Zhejiang University,Hangzhou 310028,Zhejiang,China;School of Media Studies ＆ Humanities,Zhejiang University City College,Hangzhou 310028,Zhejiang,China)

机构地区：[1]浙江大学中文系,浙江杭州310028 [2]浙江大学城市学院传媒与人文学院,浙江杭州310028

出　　处：《长江学术》2018年第2期68-75,共8页Yangtze River Academic

基　　金：国家社科基金重点项目"韩国古代词文学及全集笺注"(15AWW001);浙江省哲学社会科学重点研究基地浙江大学宋学研究中心省社科规划立项课题"音乐视角下北宋词体演进研究"(14JDSX03YB)

摘　　要：鼓子词是流行于宋代文人阶层的说唱伎艺,文人或直接参与其表演担任击鼓的角色。鼓子词开篇往往有致语,以叙述创作或表演契机,并统领其后的联章词作,有其重要的现场作用。鼓子词致语自产生之初,就有作为独立审美对象的规格与品质,其功能近于古代游宴序,在烘托氛围的同时抒发士大夫的雅兴与情怀。现存宋代鼓子词的题材集中于咏物、咏地域风土、咏时序节令、叙故事等方面,其中多有深厚的文学渊源。Guzi Ci was a popular singing art type in the Song Dynasty, which the literati probably directly participated in its performances and played the role of drumming. Guzi Ci often has an opening words to narrate the creation or performance background and lead the subsequent chapters. Opening words have an important on-site role. Since the beginning of the production of the opening words of Guzi Ci, they have become independent aesthetic objects with their specifications and qualities. While addressing the atmosphere, the poet＇s interest and feelings are also expressed. Their function is similar to introductory speech of ancient feasts. The themes of Guzi Ci of the Song Dynasty are mainly concentrated in the aspects of describing things, local landscape, time and seasons, and stories. Many of them have deep literary origins.

关 键 词：宋代 鼓子词 审美品格 文学渊源 

分 类 号：I207.23[文学—中国文学]