Lyricism, the Veneration of Feeling, and Narrative Techniques in the Poetry Talks of the Southern Society  

Lyricism, the Veneration of Feeling, and Narrative Techniques in the Poetry Talks of the Southern Society

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作  者:LIN Hsiang-ling 

机构地区:[1]Department of Chinese Literature, Tunghai University, Taichung 40704, Taiwan, China

出  处:《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》2018年第2期324-350,共27页中国高等学校学术文摘·文学研究(英文版)

摘  要:This paper examines the voluminous "poetry talks" (shihua) written by Southern Society (Nanshe) members and focuses on two tendencies in these discourses: The general cult of sentimentality and the narrative strategy on women's poetry. These poetic discourses succeeded the language of traditional literary criticism, but also exhibited ideals of the new epoch. As a rebellion to the qing imperial standard on measured and learned poetry, Southern Society poets took instead as their role models eccentric and iconoclastic poets who "venerated feelings." The cult of sentimentality continued the trend of individual liberation from the late Ming and further showed a collective discourse that promoted a new kind of revolutionary subjectivity. These authors were also fond of collecting sentimental stories about female poets. More than being traditional "talented women," these poets exhibited a diversity of female roles in an era of liberation.This paper examines the voluminous "poetry talks" (shihua) written by Southern Society (Nanshe) members and focuses on two tendencies in these discourses: The general cult of sentimentality and the narrative strategy on women's poetry. These poetic discourses succeeded the language of traditional literary criticism, but also exhibited ideals of the new epoch. As a rebellion to the qing imperial standard on measured and learned poetry, Southern Society poets took instead as their role models eccentric and iconoclastic poets who "venerated feelings." The cult of sentimentality continued the trend of individual liberation from the late Ming and further showed a collective discourse that promoted a new kind of revolutionary subjectivity. These authors were also fond of collecting sentimental stories about female poets. More than being traditional "talented women," these poets exhibited a diversity of female roles in an era of liberation.

关 键 词:Southern Society (Nanshe) poetry talks (shihua) veneration of feelings lyric tradition female poetry 

分 类 号:I207.22[文学—中国文学]

 

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