中国戏剧理论的现代建构——20世纪中国戏剧理论现代化研究  

The Modern Construction of Chinese Drama Theory: On the Modernization of Theories of Chinese Drama in the Twentieth Century

作　　者：胡星亮[1] Hu Xingliang

机构地区：[1]南京大学文学院

出　　处：《戏剧艺术》2018年第4期4-25,共22页Theatre Arts

基　　金：教育部人文社会科学重点研究基地重大项目"二十世纪中国话剧创作主潮"(12JJD750006)的阶段性成果

摘　　要：20世纪中国戏剧理论的发展,是中国戏剧理论追求和确立"现代性"的建构历程。"人的戏剧"是中国戏剧理论现代建构的核心理念;个性解放思想、启蒙理性意识、现实批判精神、真实性原则和戏剧艺术自觉,是中国戏剧理论现代建构的主要维度;民族戏曲的独特审美创造,和话剧、歌剧进入中国之后的独特发展,体现出戏剧理论的多元现代化和"中国戏剧之现代性";以"中国经验"为导向,既有西学东渐的世界视野,又有旧学新知的民族传统,是中国戏剧理论现代建构的基本原则。进入新世纪,中国戏剧理论发展应继续"走向现代",在古今中外戏剧和戏剧理论的交流与融会中,完善和深化其现代建构。The development of Chinese theatrical theory in the twentieth century reflects the formative process of the pursuit and establishment of ＂modernity. ＂ The core concept of the modern construction of Chinese theatrical theories is the ＂drama of humanity. ＂ The major dimensions of the modern construction of Chinese theatrical theories is the emancipation of individuality, the rationality of the Enlightenment, the realistic critical mind, the principle of authenticity, and the self - consciousness of drama. The diversity of modernity and the ＂modernity of Chinese drama＂ is demonstrated by the unique aesthetics in the creativity of national operas, and the uniqueness in the developments of imported modem drama and opera in China. The fundamental principle of the modem construction of Chinese theatrical theories is the combination of the horizon to embrace Western culture and the national tradition to revitalize the intellectual legacy guided by ＂Chinese experiences. ＂ In the new millennium, Chinese theatrical theories continue to ＂modemize＂ themselves, reaching new depths and perfection in the exchange and mingling of the theatres and theories of the ancient, the present, the Western, and the domestic.

关 键 词：20世纪 中国戏剧理论 现代建构 

分 类 号：J80[艺术—戏剧戏曲]