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作 者:田丰[1,2] TIAN Feng(College of liberalArts,Hebei Normal University,Shijiazhuang 050024;Department of Chinese Language and Literature,East China Normal University,Shanghai,200241,China)
机构地区:[1]河北师范大学文学院,河北石家庄050024 [2]华东师范大学中文系,上海200241
出 处:《东方论坛(青岛大学学报)》2018年第3期95-100,共6页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基 金:河北省社会科学基金项目"左翼文学的本土化转向及文本形态研究"(HB17ZW015)
摘 要:为数众多的左翼乡土小说家是在鲁迅的直接影响和大力扶持下走向文学创作道路的,也正因此左翼乡土小说携带有明显的鲁迅基因。在鲁迅为首的五四乡土小说家的示范带动下,左翼乡土小说家并未因致力于反映现实和表现时代而全然忽视风情画、风俗画和风景画的呈现,在注重政治叙事的同时并没有完全忽略乡土文学的本质属性和审美特征。左翼乡土小说与五四乡土小说在作家群体构成、创作理念以及叙事模式等许多方面都有着相似之处,显现出两者之间颇为紧密的内在关联。The left-wing native novelists are engaged in the creation of native novels under the influence and inspiration of the May 4 th native novelists led by Lu Xun, so they are closely related to each other. A large number of left-wing native novelists are engaged in literary creation under the direct influence and vigorous support of Lu Xun, so they are also carrying the obvious gene of Lu Xun in the left-wing local novels. The left native novelists do not completely ignore the graffiti, genre painting and landscape painting because they aim to reflect the reality. While paying attention to political narrative, they not entirely ignore the nature of literary and aesthetic characteristics. Left-wing native novels and the May 4 th native novels have similarities in many aspects such as showing the intrinsic connection between the very close groups of writers, the creative ideas and narrative patterns.
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