20世纪20～30年代漂泊母题叙事文学热潮成因初探  

Discussion Of the Triple Power that Initiated the Boom of Drift Motif Narrative Literature from 1920s to 1930s

作　　者：曹艳红[1] CAO Yan-hong(Guangdong Women＇s Polytechnic College,Guangzhou,Guangdong,China,511450)

机构地区：[1]广东女子职业技术学院,广东广州511450

出　　处：《广东开放大学学报》2018年第3期60-65,共6页JOURNAL OF GUANGDONG OPEN UNIVERSITY

摘　　要：20世纪20~30年代,中国现代文坛出现了漂泊母题叙事文学的创作热潮。这一热潮的出现与三个方面的推动有关:五四新文化运动推崇动感特征明显的西方现代文明,从外部影响了社会文化的接受氛围;传统文化中知识分子对漂泊生活的内在羡慕也契合了这一氛围;现代作家对独立的文学艺术场的追求、营造和漂泊状态、漂泊精神有机地结合在了一起。这三重动力的合力促使现代作家从不同的角度审视和展现漂泊行为、漂泊精神,进而催生了漂泊母题叙事文学创作的热潮。There was the boom of drift motif narrative literature in modern Chinese literature from 1920 s to 1930 s. The boom is associated with three aspects of driving force. The May 4 th Movement of 1919 praised dynamic characteristics of the modern western civilization, facilitating the accepting atmosphere of social culture from outside. The intellectuals in Chinese traditional culture admire wandering life, which also fitted into the atmosphere. Modern writers pursued and built the independence of literature and art combined with drift and wandering spirit. Modern writers reviewed and showed the drift and wandering spirit from different perspectives of the triple force, giving rise to the boom of drift motif narrative literature.

关 键 词：漂泊母题 动的文明 游的精神 文学独立 

分 类 号：I206.6[文学—中国文学]