贾又福山水作品的独创性及其对教学的启示  

The Originality of JIA You-fu Landscape Painting and Its Enlightenment to Teaching

作　　者：耿兰兰 古光辉 成龙 GENG Lan-lan;GU Guang-hui;CHENG Long(Academy of Art and Design,Cangzhou Normal University,Cangzhou,Hebei 061001,China)

机构地区：[1]沧州师范学院美术学院,河北沧州061001

出　　处：《沧州师范学院学报》2018年第2期122-124,128,共4页Journal of Cangzhou Normal University

基　　金：2017年度河北省文化艺术科学规划项目(青年项目)"贾又福山水作品的独创性及其对教学的启示";编号:No.HB17-QN013

摘　　要：20世纪以来,中国山水画的复兴与走向现代紧密相连。沧州籍画家贾又福重视山水画的时代性,他打破了前人老套、重新构架新的图式语言,主张找到真性情,提倡"笔墨从心论",在师造化而夺造化中开发笔墨。他以突破全景式山水构图创造出超越时空的观化山水,把传统构图的大忌变成了可能,他突破传统的皴法,用强烈的主观色和独创的黑亮笔墨语言使画面具有了冲击力和构成感。这些独特的艺术创新经历了时代的考验,赢得了同行大家的认可,也为其创立山水画理论和画派提供了前提和保证。Since the 20 th Century,the revival of Chinese landscape painting is closely connected with modernization.Cangzhou painter JIA You-fu attaches great importance to the epochal nature of landscape painting,and breaks the stereotypes of his predecessors and reinvents the new schema language.He advocates to find true emotion and＂paint at will＂,aiming to develop painting in＂following nature and surpassing nature＂.By breaking through the panoramic landscape composition,he has created the landscape beyond time and space and made the taboo of traditional composition feasible.He breaks through the traditional chapped method and uses strong subjective color and innovative＂black and bright＂ink technique to make the painting more graphic and forceful.These unique artistic features have gone through the test of ages,won the recognition of his peers,and provided the premise and guarantee for his establishment of landscape painting theory and painting school.

关 键 词：贾又福 山水画 艺术独创性 雕塑感 

分 类 号：G642[文化科学—高等教育学]