“打工妹”生存转向的文化隐疾与身份切问书写——以贾平凹《极花》为例  

The Cultural Illness and Identity Writing of the Survival Turn of “Migrant Girls”——Taking Jia Pingao' New Story Ji Hua as an Example

作　　者：许心宏 Xu Xinhong(School of Arls,Anhui University of Finance＆Economics,Anhui Bengbu 23303;School of Literature,Shandong University,Jinan 250100,China)

机构地区：[1]安徽财经大学艺术学院,安徽蚌埠230030 [2]山东大学文学院,山东济南250100

出　　处：《重庆师范大学学报（社会科学版）》2018年第3期41-45,共5页Journal of Chongqing Normal University(Edition of Social Sciences)

基　　金：国家社会科学基金项目"90年代以来打工妹生存转向叙事研究"(16ZBW028)

摘　　要：根植于新世纪以来"三农问题"历史语境,《极花》关于"打工妹"生存转向的逆向性、经典性结构设置,陌生化实现了偏远农村婚配隐疾的现代性书写,过程化开掘了婚配难题、子嗣绵延、村落衰败、文化痼疾的问题存在。小说结尾处主人公"厌城-归乡"结构主义诗学的反讽叙事,内隐出作者城乡双向批判且有文化偏向的情感结构观。Rooted in the historical context of China＂three rural issues＂since the new century,for the structural setting about converse and classical survival turning of ＂migrant girls＂,which defamiliarization and procedurization as an approach to realize the modern writing of marriage and hide diseases in remote rural areas and uncover the difficult problems of the marriage,the descendants,the native Paradise lost,and the cultural ills.At the end of the novel,the ironic narrative about the protagonist choice of survival of backing home represented author＇s Bi-directional criticism and cultural preferences based on the urban and rural areas.

关 键 词：小说结尾 拐卖妇女 婚配危机 生存转向 文化偏见 

分 类 号：I24[文学—中国文学]