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作 者:李进[1] LI Jin(School of History,Hebei University,Baoding,Hebei 071000,China)
出 处:《湖北职业技术学院学报》2018年第2期58-62,共5页Journal of Hubei Polytechnic Institute
基 金:2018年河北大学研究生创新资助项目(项目编号:hbu2018ss36);2017年河北省文化艺术科学规划项目(项目编号:HB17-ZD004)的阶段性成果之一
摘 要:湖南省博物馆馆藏的战国、汉代铜镜具有一定的研究价值。文章对馆藏的战国、汉代铜镜进行了分类,对铜镜图案布局及其含义进行了解读,对其中的有铭铜镜进行了分析,认为战国铜镜的图案布局以及纹饰方面对汉代铜镜产生了一定的影响,同时汉代铜镜也有自己的特点;包括阴阳五行学说在内的道家思想以及融合了道家、法家思想的新儒学,很大程度上影响了战国、汉代铜镜的纹饰和布局。The bronze mirrors in the Warring States Period and the Han Dynasty collected at Hunan Provincial Museum have distinct characteristics and certain value of research. In this paper,the bronze mirrors in the Warring States Period and the Han Dynasty were classified,the layout and the implied meaning of the bronze mirrors were interpreted. In addition,this paper made a deep analysis of the You Ming bronze mirror and arrived at the conclusion that the bronze mirrors in the Warring States Period exerted certain influence on the bronze mirrors in the Han Dynasty in terms of pattern layout and ornamentation,while the bronze mirrors of the Han Dynasty had their own unique features. It was believed that Taoist ideas which included yin-yang and its five elements,and the new Confucianism which integrated the ideas of Taoism and Legalism produced some influence on the bronze mirrors in the Warring States Period and the Han Dynasty in terms of ornamentation and layout to a large extent.
分 类 号:K871.41[历史地理—考古学及博物馆学]
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