基于图像转向的视觉文化回归——以影像文化视角看摄影  

Cultural Return of Vision Based on Image Turning: Photography in the Perspective of Image Culture

作　　者：林勇[1] Lin Yong(Fujian Polytechnic of Informtion Technology,Fuzhou 350003,China)

机构地区：[1]福建信息职业技术学院传媒艺术系,福州350003

出　　处：《大理大学学报》2018年第7期87-92,共6页Journal of Dali University

摘　　要：作为大众文化传播与视觉消费主媒之影像,已成为这个时代一种现象级文化景观和符号。以摄影图像为文化媒介,以新图像转向为路径,分别就影像的物质性、信息性、文化性、审美性进行阐析。诠释影像因无障碍的文化属性,抑或视觉本能的直释性,更符合现代传媒直观和传播便利要求,为印证视觉文化回归图像之理论探索提供充分依据。As the main medium of mass culture communication and visual consumption, images have become a phenomenon of cultural landscape and symbol. This paper explores the characteristics of materialness, information, culture and aesthetics of images respectively based on the turning of new images, and explicates that images are more in line with the directness and requirements for convenience of modem media because of their barrier-free cultural feature and their openness for visual instinctive reactions. It provides sufficient evidence for the theoretical exploration of the regression images of visual culture.

关 键 词：影像 摄影 视觉文化 图像转向 

分 类 号：J402[艺术—摄影艺术]