传统艺术设计观融入“中国创造”的理论进路  

The Integration of Design Thoughts and Theories with the Concept “Created in China” in Art

作　　者：黄娟娟 聂世忠[2] HUANG Juanjuan;NIE Shizhong(Art Department,Junior College of Infant Education in Hunan,Shaoyang 422000,China;School of Art and Design,Shaoyang University,Shaoyang 422000,China)

机构地区：[1]湘中幼儿师范高等专科学校艺术系,湖南邵阳422000 [2]邵阳学院,湖南邵阳422000

出　　处：《邵阳学院学报（社会科学版）》2018年第3期75-79,88,共6页Journal of Shaoyang University:Social Science Edition

摘　　要：当前艺术设计理论体系中"传统质素"的缺失,造成了艺术领域"中国创造"的某种困境。在中国传统思想文化中,蕴含着丰富的设计理论,如道器不离、天人合一、言意相糅等。这些理论对于艺术行业的"中国创造"具有借鉴价值,可以将之融入到品牌创造、学科建设、创新设计等方面,为艺术领域的"中国创造"提供具有民族文化意义的理论支撑。The lack of traditional elements in the system of art design theories has brought some trouble to the performance of ＂created in China＂in art. Abundant design theories are embodied in Chinese traditional ideology and culture,such as ＂the integration between Tao and Qi＂,＂the integration between man and nature＂and＂the integration between speech and intention＂. These theories are instructive to the concept ＂created in China＂and can be integrated into brand creation,discipline construction and innovative design so as to provide a theoretical support of national cultural significance for the concept ＂created in China＂in art.

关 键 词：传统艺术设计观 “中国创造” 理论进路 

分 类 号：J50-02[艺术—艺术设计]