校谱之风与南宋典雅词派的兴起——从曲谱流传角度看词派形成的音乐背景  

The Relationship of the Revising Music Book's Fashion and Rising of Elegant Ci-poets Group in Southern Song Dynasty:Textual Research on the ECG's Musical Background from the Angle of Music Book's Spread

作　　者：张春义[1] Zhang Chunyi(College of Literature and Law,Jiaxing University,Jiaxing 314001,China)

机构地区：[1]嘉兴学院文法学院,浙江嘉兴314001

出　　处：《浙江大学学报（人文社会科学版）》2018年第4期158-172,共15页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：国家社会科学基金项目(12BZW032);教育部人文社会科学研究规划基金项目(11YJA751093)

摘　　要：南宋校谱之风始于孝宗、光宗间(1183—1194),而于理宗、度宗间(1225—1267)达到高潮。校谱多以达官显贵家为聚集中心,如四明史家、临安张家及广陵张家等,乃由贵家牵头而由门客、雅人做具体校谱工作,性质为私家校谱而非官修。所校之谱多隐晦其来源,但都有以旧谱制新谱的共同特征。校谱之风对南宋中后期的词学发展影响深远。如四明史家所校"清真谱"凭借史家长达数十年的政治影响而成为南宋中后期词风转型的"激发剂",杨缵《圈法周美成词》则巩固了词风转型的成果并促成了南宋典雅词派的最终形成。校谱不仅团结了大批词客、雅人相与切磋音律、探讨词艺,并且因校谱而逐渐形成了旨趣相似的词法。As a matter of fact, the fashion of revising music book gradually emerged from Xiaozong Emperor to Guangzong Emperor and approached a climax during Lizong Emperor to Duzong Emperor in South Song Dynasty. For example, it is definite that in 1183 A. D. , as was recorded by the privately compiled history of Song Dynasty, Shi Hao, a retired Premier settling down in Mingzhou County, deputed his sons and nephews to revise the old music book, and assigned Zhou Zhu, his wife＇s nephew, to compile the Qingzhenpu, a music book for the collection of Ci-poetry of Zhou Bangyan, his great-grandfather. Shortly afterwards, Zhang Zi devoted most o{ his time to revising music book, as a nobility settling down in Lin＇ an County, the capital of South Song Dynasty. From 1194 to 1201, Jiang Kui, as a house-guest, tutor and friend of Zhang Zi＇s family, finished two pieces of music about ＂Jiaozhao＂ and ＂Zhengzhao＂, composing according to the musical style of Xingzaipu, a collection of old music books. From 1195 to 1204, Zhang Yan consigned his house-guests to compile new music book of Guqin（a plucked seven-string Chinese musical instrument）, by collating the Gepu, a music book collection of Dasheng Musical Ministry（DSMM）. During Lizong Emperor and Duzong Emperor, a tidal wave of literary association was actively started among the members of Yinshe （a literary group）, including Yang Zuan, Xu Yu, Mao Xun, Xu Li, Zhang Shu and so on. These literary associations were devoted to revising music book, the work of which can be divided into four periods namely from 1241 to 1252, in 1256, from 1259 to 1264 and after 1267. Essentially, revising music book was practised by a private group instead of by an official institution, and handled by the house-guests, instead of by the nobilities, which were serving as the leaders. The music books being revised were usually original pieces, some of which may come from Dasheng Qui0u（DSMM＇s music book）, but the origins of most of the pieces were concealed. However, revising musi

关 键 词：校谱订谱 四明史家 大晟曲谱 清真谱 南宋典雅词派 曲谱流传 音乐背景 

分 类 号：I207.23[文学—中国文学]