明代东南海疆倭乱记忆中的烈女故事——以浙江方志书写为中心  

Heroine Stories in Memory Involving Japanese Pirating Chaos in the Ming Dynasty's Southeastern Coastal Areas and Territorial Seas

作　　者：邹赜韬 李广志[2] ZOU Zetao;LI Guangzhi(School of Science ＆Technology,Ningbo University,Ningbo 315212,China;School of Foreign languages,Ningbo University,Ningbo 315212,China)

机构地区：[1]宁波大学科学技术学院,浙江宁波315212 [2]宁波大学外国语学院,浙江宁波315211

出　　处：《浙江海洋大学学报（人文科学版）》2018年第3期6-13,共8页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：国家社科基金一般项目"日本遣唐使研究"(编号:17BSS026);国家大学生创新训练项目"基于节庆化阅读推广的青年传统文化精准宣教策略"

摘　　要：明代东南海疆的倭乱深刻影响了边海地区妇女的生活。当时倭乱烈女入方志的现象以今宁波市各地为最盛,可理解为倭乱烈女书写与地方社会受灾强度的耦合。在方志对倭乱烈女的塑造中,多元变奏之上有良家殉死、弱肩挑担两大母题,呈现了儒家道义、妇女实际境遇以及倭乱势态的三位共构。明代浙江方志中的倭乱烈女有突出的"男魂女像"、"无奈臆想"表征,是为地方男性创伤痛苦、愤懑的另类发泄,表达了倭乱焦虑中男性应激心理。The Japanese pirates in the southeast coastal areas in the Ming Dynasty profoundly affected the lives of women in the border area. At that time, the phenomenon of Japanese pirates entering the local records was the most popular in all parts of Ningbo today, which could be understood as the coupling between the writing of the Japanese pirates and the disastrous intensity of the local society. In the portrayal of heroines against the Japanese bonobos, there are two main motifs on the multiple variations： one is the martyrdom of a good family and the other is to carry the two major motifs on the weak shoulder, showing the three co-construction of the Confucian morality, the actual situation of women and the state of the Japanese bonobos. The Japanese bonobos in Zhejiang＇s Chronicles of the Ming Dynasty have prominent representation of ＂male soul and female images＂and＂helpless imagination＂. It is an alternative vent for local men＇s pain and resentment, and expresses the psychology of male stress in the anxiety of the disorders caused by Japanese pirates.

关 键 词：倭乱 明代烈女 东南海疆 方志书写 

分 类 号：K248[历史地理—历史学]