末世诗人的楚骚情怀——晚唐诗歌之屈宋接受  

Poets' Feelings of ChuSao:The Acceptance of QuYuan and SongYu in the late Tang Dynasty

作　　者：祁国宏[1] QI Guo-hong(School of Literature and History,North Minzu University,Yinchuan 750021,China)

机构地区：[1]北方民族大学文史学院,宁夏银川750021

出　　处：《北方民族大学学报（哲学社会科学版）》2018年第4期167-172,共6页Journal of North Minzu University(Philosophy and Social Science)

基　　金：国家民委重点学科"中国古代文学"建设项目

摘　　要：晚唐诗人频频称引屈原、宋玉其人其作,诗作总量蔚为大观。究此现象个中之因由,盖以晚唐末世诗人皆心存浓重的楚骚情怀。细绎之有如下数端:一是晚唐诗人继承、接受了忠直立身、才能卓异而际遇悲凉的屈宋形象,二是晚唐诗人较多地接受了屈宋辞赋感伤兴寄的笔法格调,三是晚唐诗人对宋玉及其辞赋的接受更多、更明显一些,具体表现于扬其才华、同其感伤与摹其艳情。Poets in the late Tang Dynasty frequently had quotations of QuYuan and SongYu their works. The reason for this phenomenon is that the poets of late Tang Dynasty have strong feelings of ChuSao. The details are as follows： first,the poets of the late Tang Dynasty inherited the image of QuYuan and SongYu,who had been loyal and upright,and had a great chance and sorrowful experience. Two,the poets in the late Tang Dynasty accepted more than the sentimental style of Qu Song Fu,and three were more obvious acceptance of SongYu and his Ci Fu by the poets in the late Tang Dynasty. With its sentimentality and its amorous feelings.

关 键 词：晚唐 屈原 宋玉 楚骚 诗歌 

分 类 号：I206.2[文学—中国文学]