辰河高腔传承人叙事与记忆的社会文化空间  

The Social and Cultural Space of the Narration and Memory of Man Inherited by Chenhe Gaoqiang

作　　者：熊晓辉[1] XIONG Xiao-hui(College of Art,Hunan University of Science and Technology,Xiangtan,Hunan 411201)

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《怀化学院学报》2018年第4期18-25,共8页Journal of Huaihua University

基　　金：2017年湖南省哲学社会科学基金项目"清代雍乾年间湘西官庙祭祀音乐研究"(17YBA1171)

摘　　要：辰河高腔传承人长期以"口传心授"的方式进行传播,具有"集体记忆"和"身体经验"等特点,传承人不仅将自己所获得的知识与经验传授给下一代,而且通过身体接触和体验去感知辰河高腔艺术的技艺。在辰河高腔传承过程中,传承人对剧目内容的叙事过程恰恰是口述史学最基本的方法,同时也是辰河高腔艺术发展历史的"内核"与"社会文化空间"。传承人是辰河高腔口述与演绎的主体,让传承人演绎和叙述自己的历史过程,符合非物质文化遗产活态传承的本质。我们用口述史方法对辰河高腔传承人进行研究,注重辰河高腔艺术的各种物化遗存形态,从非物质文化遗产保护和可持续发展的角度出发,对于承载着文化记忆的传承人展开了全面的口述史调查。Chenhe Gaoqiang inheritor communicates with＂oral teaching＂for a long time and has the characteristics of＂collective memory＂and＂body experience＂.The inheritor not only imparts the knowledge and experience he has acquired to the next generation,but also has the characteristics of＂collective memory＂and＂physical experience＂.And through physical contact and experience to perceive Chenhe Gaoqiang art skills.In the process of Chenhe Gaoqiang transmission,the narration process of the dramas is the most basic method of oral history,and it is also the＂kernel＂and＂social and cultural space＂of Chenhe＇s art development history.The inheritor is the main body of oral and deductive narration of Chenhe Gaoqiang.It is in line with the essence of immaterial cultural heritage that the inheritor deducts and narrates his own historical process.We use oral history method to study Chenhe Gaoqiang inheritors,pay attention to the various materialized forms of Chenhe Gaoqiang art,and proceed from the angle of intangible cultural heritage protection and sustainable development.A comprehensive oral history investigation has been carried out for the inheritors carrying cultural memory.

关 键 词：辰河高腔 传承人 叙事 记忆 社会文化空间 

分 类 号：J648.7[艺术—音乐]