贺拉斯诗歌与奥古斯都时期的文学秩序  

Horace's Poetry and the Literary Order of Augustan Rome

作　　者：李永毅[1] Li Yongyi(English in the School of Foreign Languages ＆ Cultures at Chongqing University,Shapingba,Chongqing 401331,China)

机构地区：[1]重庆大学外国语学院

出　　处：《文艺理论研究》2018年第3期68-77,共10页Theoretical Studies in Literature and Art

基　　金：2016年国家社科基金重大项目"<古典拉丁语汉语大辞典>编纂"[项目编号:16ZDA214]的成果~~

摘　　要：奥古斯都时期的诗人已经面对着一个复杂性堪比现代的文学秩序,这个秩序由国家、恩主、友人与公众组成。文学赞助体制的流行迫使诗人在艺术与权力之间周旋,成熟的文学发表、传播和销售渠道则以文学趣味和审美风尚的形式向诗人施压。贺拉斯的成功秘诀在于,他通过精心设计的写作策略最大限度地利用了这个秩序的优势,避免了它的负面效应,不仅没有沦为牺牲品,反而塑造了罗马的诗歌走向。Roman poets in the Augustan era were already faced with a literary order the complexity of which was almost modern,composed of the state,the public,patrons and friends. The prevalence of literary patronage compelled poets to negotiate between art and political power,whereas a well-developed mechanism of publication,transmission and book trade exerted pressure on them in terms of tastes and fashions. Horace＇s success lay in his ability to outmaneuver the system through ingenious strategies,whereby instead of falling victim to it,he managed to shape the course of Roman poetry.

关 键 词：古罗马诗歌 文学秩序 赞助体制 文学流通 

分 类 号：I106.2[文学—世界文学]